Linda le kinff biography of michael jackson
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Kelly &#;RISK&#; Graval
With a wildly successful clothing line and an insatiable demand for his canvases of vivid, electrifying urban art, RISK has come a long way from being the first L.A. based artist to paint subway cars in New York City. At the peak of his powers, when he was painting overpasses, billboards, and public transportation, RISK began to spray on canvas and soon, he was producing artistic number-one hits with unparalleled regularity.
Today, RISK is one of the most important contemporary artists of our time. His bold, audacious work is captivating and expands far beyond his colorful roots as a graffiti artist. His elaborate sculptures and neon series have been praised during exhibits in New York and Los Angeles, and in , Risk’s “Face Your Fears” series stole the show at the LA Art Fair.
Like all great rock-n-rollers, RISK also has performed his magic at the legendary Whiskey A Go Go, painting the infamous Hollywood club inside and out to celebrate an Aerosmith a
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With only kvartet years of painting experience and no formal training, year-old Michael Romero Duran has accomplished more than many artists do in a lifetime. Romero fryst vatten best known for creating his own style of painting he compares to a mix between Impressionism, Expressionism, sammanfattning and Realism.
&#;I don’t want to create pieces that only inom describe as beautiful,&#; Romero says. &#;It is my intention to grab the hearts and inspiration of the viewer.&#;
&#;Moonlights Allurement&#; () Michael Romero Duran
The ung painter started drawing at a ung age, but only duva into his art in Romero&#;s family inspired him to focus on his artwork bygd encouraging him to pursue his talents.
&#;From that moment, I wanted to man my family proud, so I made it a goal to get into at least one gallery,&#; Romero says.
The only problem? He had never painted before. Romero began watching YouTube videos to learn the craft and was instantly inspired bygd the innovative techniques of Jackson Pollock an
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Grand Orchestra
Linda Le Kinff (b. France) "Grand Orchestra" - This piece is a framed, hand signed, serigraph on paper () The image was originally created in as an oil on wood panel. Framed and matted, it measures 30" x "
“Grande Orchestre” demonstrates the range of mood Le Kinff can elicit from a single theme. The composition is structured using cubist geometric lines and angles. The piece is virtually a mosaic of triangles, trapezoids, and lozenges (diamond shaped images) which miraculously comes together to create figures, costumes, instruments and sheet music. The geometric forms also constitute the negative space between three-dimensional forms – green, purple, and red triangles, for example, fill the space between the musicians. This image seems to float on the surface instead of receding back into depth, a device that allows for Le Kinff’s abstraction to take over and play a dominant role over the representational component. The image has a pronounced sense of electricity