Amenhotep the third biography template

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    Amenhotep III

    Ninth Pharaoh of the Eighteenth dynasty of Egypt

    Amenhotep III (Ancient Egyptian: jmn-ḥtp(.w)Amānəḥūtpū, IPA:[ʔaˌmaːnəʔˈħutpu];[4][5] "Amun is satisfied"[6]), also known as Amenhotep the Magnificent or Amenhotep the Great and Hellenized as Amenophis III, was the ninth pharaoh of the Eighteenth Dynasty. According to different authors following the "Low Chronology", he ruled Egypt from June to BC, or from June BC to månad BC/ BC, after his father Thutmose IV died. Amenhotep was Thutmose's son by a minor wife, Mutemwiya.

    His reign was a period of unprecedented prosperity and splendour, when Egypt reached the peak of its artistic and international power, and as such he fryst vatten considered one of ancient Egypt's greatest pharaohs.[9][10][11]

    When he died in the 38th or 39th year of his reign he was succeeded bygd his son Amenhotep IV, who later changed his name to Akhenaten.

    Family and early

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    Ilinca Bartos, « Tutankhamun’s Golden Armchair: Its Original Owner and Shape Reconsidered », ENiM 14, , p. ?page=enim&n=13 Résumé : Il est généralement admis que le fauteuil more

    Ilinca Bartos, « Tutankhamun’s Golden Armchair: Its Original Owner and Shape
    Reconsidered », ENiM 14, , p.         ?page=enim&n=13       

    Résumé :
    Il est généralement admis que le fauteuil doré léontocéphale de la tombe de Toutânkhamon a été fabriqué pour ce roi, au début de son règne. Cependant, certains auteurs, qui ont étudié la scène atonienne sur le dossier, pensent que le siège a appartenu à un précédent roi amarnien. Dans cette étude, nous proposons deux nouvelles analyses afin d’identifier le propriétaire originel : le contexte typologique et l’iconographie globale. Ces deux approches nous permettent également de reconsidérer la forme originelle du siège. Nous démontrons ainsi que le fauteuil léontocéphale de Toutânkhamon a appartenu à un précédent

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    Reassessing the Facial Reconstruction of Amenhotep III: An Analysis of Methodological and Anthropological Flaws

    The Kings Monologue Reassessing the Facial Reconstruction of Amenhotep III: An Analysis of Methodological and Anthropological Flaws Andrew A. King - TKM1 Abstract A recent forensic facial reconstruction of the Ancient Egyptian King Amenhotep III (reigned c. – BCE2) was recently produced by the Brazilian Graphic Designer and Reconstruction Artist Cicero Moraes. Moraes was working with Australian researcher Michael Habicht (who will from herein be referred to as ‘the multinational team’). The finished reconstruction has generated some controversy due to its visibly light skinned and phenotypically Eurasian appearance. This representation contradicts the numerous historical portraits, bas reliefs, papyrus artworks and statues which depict the king as a visibly dark skinned individual with features commonly associated with native Africans. This paper critiques the reconstruct

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