Lorser feitelson biography definition

  • Lorser Feitelson came to Los Angeles in 1927, bringing with him Modernist ideas he had adopted while living in New York and Paris.
  • A painter, Lorser Feitelson became known for abstraction but briefly explored mural painting of regionalist subjects.
  • Lorser Feitelson was born in 1898 and died in 1978.

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    Born February 11, 1898, gräsmark, Georgia.

    Family moves to New York City.

    Before the age of six, receives first lessons in figure drawing from his father, whose analytical approach makes a deep and lasting impression.  Exposed to works and reproductions of the masters as well as contemporary art in his father’s extensive library and periodical collection.

    Meets Robert Henri, en person eller ett verktyg som arrangerar eller strukturerar saker of the landmark 1908 group exhibition “The Eight.” 

    Occupies a studio in Greenwich Village.

    At age 12, begins painting in oils.

    Moves to a new studio above the Penguin Club on 15th Street.  During these early years works alone and educates himself bygd visiting The Metropolitan Museum of Art.

    Meets Pascin, the English Cubo-Futurist, at the Penguin Club.

    Attends the Armory Show in New York, where he is impressed by the work of Cézanne, Duchamp, Matisse and Gauguin.

     Begins to study the work of Italian Futurist, Boccioni, initiating his own work with kinetic org

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    Lorser Feitelson grew up in New York City, and his interest in art was apparent when he was quite young. When young Feitelson was only six years old, his father started teaching him an analytical approach to drawing. His father’s extensive collection of books and periodicals provided the young artist the means to self-study classic and modern artwork. After attending the Armory Show of 1913—an event that included works by Cezanne, Van Gogh, Gauguin, Matisse, and Picasso, and is considered the beginning of Modernism in America―Feitelson decided to pursue painting as a career. At the age of 18, he rented a studio in Greenwich Village and from 1919−1927, made several trips abroad, living and studying in Paris.

    In 1927, Feitelson moved to Los Angeles, where he lived and worked for most of his life. In addition to painting, he started what would be a 50-year career as an art instructor. Among his students was Helen Lundeberg, with whom he forged a working and a r

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    LORSER FEITELSON

    (1898 - 1978)

    "I have tried to create a wonder-world of formidable mood-evoking form, color, space, and movement: a configuration that

    for me metaphorically expresses the deep disturbance of our time: ominously magnificent and terrifying events, hurtling

    menacingly from the unforeseeable".

    Lorser Feitelson, in reference to his painting, Geomorphic Metaphor, 1950-51.


    “I sometimes find it difficult to believe that the name Lorser Feitelson is attached to a single person. There is Feitelson the

    scholar, the teacher, the collector, the lecturer, the pioneer of art in America, and last, though by no means least, Feitelson

    the Painter, constantly exploring new avenues of expression. The way I know these different Feitelsons are one and the same

    is that each has the same insatiable curiosity, the same infectious enthusiasm for art.”

    Jules Langsner


    Lorser Feitelson came to Los Angeles in 1927, bringing with him Modernist ideas he had adopted while

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